Palin's Posts Archive | The Official Michael Palin Website

Pre-April Fool

Monday, March 30th 2020

These last few days have been so strange and so completely different from anything I expected to run into in my lifetime that I’m still not quite sure if it’s a dream and I’ll wake up and find Dominic Cummings screaming with laughter and shouting ‘Pre-April Fool!’

Where else but in a dream would I be counting the toilet rolls in the cupboard or seeing my local supermarket looking like a bank-robber’s convention or finding not a single restaurant open in the whole country.

The spirit of Python was always respectful of the absurd and the surreal. It was our stock in trade. Now we are asked to believe that a bat in China has closed down the cricket season without a ball being bowled, car factories are making ventilators, a French company is turning bras into face-masks and filming on Casualty has been halted for fear of there being too many casualties. Python has been completely upstaged by real-life.

I find myself in an odd position. Just a half-year after having my heart repaired and feeling ready to kick-start my life for a last sprint to the Great Tape In The Sky, I find the sky isn’t where I thought it was. It’s much closer. In fact were I to stop washing my hands and standing two metres away from everybody it might be right outside my door.

I’ve spent a lot of time writing at home and have always found self-isolating to be a necessary evil. But it’s much easier when everyone else is doing it. Apart, of course, from those who are out there trying to make us all better.

And I’m getting use to spending the days looking out of the window, hoping a sparrow will come by with an idea and thinking about the glass of wine I shall have this evening. 52 years of married life have made my wife and I experts on co-existence, and Hampstead Heath is not a bad prison yard.

That’s today. Yesterday is a place to avoid, nostalgia being a forbidden fruit right now, but tomorrow is the one I have most trouble dealing with. What will it look like and when will it look like what it will look like? Predictions fly around and theories sprout from bushes, but in the end William Goldman’s dictum about Hollywood – “Nobody knows anything” – has been proved right again.

Stay well, Stay indoors. God bless our National Health Service and be glad of what we have. Sunshine, good neighbours and three series of This Country.

History Doesn’t Always Repeat Itself

Thursday, June 5th, 1975

Cast my vote in the Referendum (the British electorate was asked: Do you think that the United Kingdom should stay in the European Community). I voted ‘Yes’ because I was not in the end convinced that the retention of our full sovereignty and the total freedom to make our own decisions, which was the cornerstone of the Noes’ case, was jeopardised seriously enough by entering the Market. And I feel that the grey men of Brussels are no worse than the grey men of Whitehall anyway.

But I didn’t decide on my vote until this morning, when I read the words of one of my favourite gurus, Keith Waterhouse. He would vote ‘Yes’ he thought, but without great enthusiasm for the Referendum or the way its campaign has been conducted, because of the attractions of the European quality of life! And he concludes, ‘I may be naïve in hoping that remaining in Europe will make us more European, but after a thousand years of insularity from which have evolved the bingo parlour, carbonised beer and Crossroads, I am inclined to give it a whirl.’

Footnote: 67% per cent said yes. Of the administrative regions, the only rejections were in Shetland and the Western Isles.

Knowing Terry

Saturday, January 25th, 2020

I’ve spent so much of my life knowing Terry that it’s very hard to take in that I shall no longer be able to put an arm around him or ask him which of the twenty-seven beers he’s just sampled I should drink, or thank him for the most amazing dish he’s created or watch his indignation when I mention one of the many buzzwords which unfailingly caused him to ignite. “Democracy’ was one. “America” another.

It’s not easy to define what it’s like just being with someone. Memories drift in and out. In the Oxford Revue at the 1964 Edinburgh Festival we performed a version of the Manfred Mann hit ‘5-4-3-2-1’, which we re-christened ‘R-S-P-C-A’. It required the cast to line up on stage in a blackout. The only access was a flight of very steep stairs. Terry was halfway up the stairs when out of the darkness came a loud discordant ear-splitting crash, a moment’s silence, followed by a plaintive high-pitched cry. ‘Oh no! I’ve broke my sodding guitar’.

It wasn’t Johnny Cash, but it was a wonderfully endearing moment.

What else do I remember? Giving blood together – Terry enthusing, “They give you a cup of tea!”. Being asked to be the first to use the newly opened public toilets in Lambeth Walk. Terry and I, bladders at a standstill, as the band played outside, and reporters gathered for our verdict. Queuing up to buy the Sergeant Pepper album and spending the entire working day, when we should have been writing jokes for David Frost, playing it over and over again with forensic delight. The night I had to drive Terry to the local hospital after he’d slashed his finger while shucking oysters. The sight of two Pythons walking in, one with his hand up in the air, so raised the spirits in A and E that the doctors asked if we could come in more regularly.

Terry was a quiet thoughtful man, but once he’d taken refreshment he could become dangerously relaxed. His unscheduled striptease on stage at the Oktoberfest Beer Festival in Munich was later described by Eric, who witnessed it, as one of the most potentially suicidal performances he’d ever seen.

Tunisia 1978. Terry directing The Life Of Brian and playing the hermit at the same time. Discussing camera angles whilst stark naked save for a long grey beard (attached to his genitals by gaffer tape I believe)

After the Meaning Of Life our working lives went off in different directions but we continued to meet up for a beer, or a game of squash, or a meal and we’d chat about our different projects. Terry was unfailingly supportive, but honestly critical too. He had a way of nailing down what was not working and suggesting a way round it. He treated me as if we were still writing together.

Terry was warm, generous and sociable. Always interested in meeting new people and sharing his enthusiasm with them. I’ve made many good friends through Terry and their messages and memories, coming in over the last few days, all conjure up a vision of a good man.

And that’s really it. Terry was a good man.

Nancy Lewis/Jones

A bright light will have gone out in many lives with the news of the death of Nancy Jones on the 20th December.

Nancy, born in Detroit and working for Buddha records in New York when I first met her, was one of the great stalwarts of Monty Python. Frustrated by American television’s lack of interest in Python she concentrated on making sure our albums found their way to America, whilst seizing every opportunity to introduce the shows themselves to the American public.

I first encountered her devotion to Python’s work in June 1972 when Terry Jones and myself met up with her on our arrival in San Francisco at the end of our first-ever visit to the States. In 1973 Nancy persuaded most of us to come to California after our not entirely successful Canadian stage tour. She virtually put her job on the line by managing to book us on top shows like Johnny Carson and The Midnight Special, and far from discouraging her, the fact that these appearances were met with complete incomprehension only caused Nancy to re-double her efforts to introduce Python to her homeland.

Her patience was rewarded the next year, when, almost too ecstatic to speak, she called me to say that PBS had taken the shows for America. What followed in the next few weeks was a growing number of similar calls from Nancy as Python swept the college circuit right across the States, becoming a massive cult hit.

Nancy was by now Monty Python’s US Manager. Her music connections and her mixture of charm and dogged persistence was perfect for our predominantly young audience.

When, in 1976, the BBC made a sale of some of the Python shows to ABC television, without our agreement, Nancy it was who encouraged us to follow Terry Jones’s suggestion and mount a legal challenge. She organised lawyers and testified, along with myself and Terry Gilliam, in the Federal Courthouse in New York. We lost the battle, but won the war. On appeal the BBC were found to have acted unlawfully. The US judges ruled that the copyright lay with Python and none of our work could be sold without our permission.

Nancy went on to help the films Holy Grail and Life Of Brian become big successes in much of America.

She was in charge of publicity on Monty Python’s last film, The Meaning Of Life, where she met actor Simon Jones and much to everyone’s surprise and delight they married and a few years later had a son, Tim.

The transatlantic marriage ensured that Nancy visited London regularly, and though Python group work was declining, Nancy was always there, ready to offer her expertise to help and advise both the group and individuals with their projects.

Nancy never lost her ability to mix business with pleasure. She was a party giver and partygoer and the most wonderful friend and companion, funny and sympathetic and outstandingly loyal.

She brightened up, but never dominated a room. She had the gift of listening and caring about people. Python benefitted so much from her quiet, persistent enthusiasm and all those lucky enough to know Nancy benefitted from her warmth, her sense of fun and her wonderfully positive approach to life.

Yes, the light she brought to so many lives will be irreplaceable, but the memories of Nancy will be joyful and unforgettable.

Ticker Tapes 3

Wednesday, December 11th, 2019

From the heart.

Recovery going well. All good inside my chest. The hard thing now is trying to stick with the surgeon’s advice to take three months off, whilst fighting an unexpected and irresistible urge to get back to work. I limbered up with a breakfast with Zoe Ball, Mel C and the amazing Jack Savoretti band, followed by a quiet rest on Mr. Norton’s sofa with The Rock and Dr Who and Kevin Hart and Harry Styles. And now I see that BBC One has scheduled Worzel Gummidge, in which I play the Green Man, just after Christmas.

So, amazingly, I’m suddenly quite busy. Just don’t tell my surgeon. Happy Christmas y’all!

Worzel Gummidge, BBC One, 26th & 27th December 2019

The Graham Norton Show — Left to right: Michael Palin, Dwayne Johnson, Graham Norton, Kevin Hart, Jodie Whittaker and Harry Styles

Fifty Years On

Friday, November 15th 2019

This 2014 snap of dialogue recording for Terry Jones’ movie Absolutely Everything, offers a rare sighting of one of the most important members of the Monty Python team, our sound genius Andre Jacquemin (arranging the mikes) I first worked with Andre on commercials back in the late 1960’s. I’m still working with him today – recording commentary for the Clangers. He’s been the man behind the desk for so long, and produced such fantastic work, that it’s time for Andre to be unmasked!

Andre Jaquemin’s website and Instagram.

Terry Jones, Andre Jacquemin & Michael Palin

Ticker Tapes 2

Wednesday, October 2nd 2019

Approaching the fourth week since my surgery. Terrific team at Bart’s Hospital opened me up, had a look around, found a second valve that needed attention, and now instead of feeling like an old Ford Anglia I’m well on my way to feeling like a one previous owner Golf GTI.

The operation took over four hours but I felt very little pain afterwards. Main problem now is trying hard not to do too much. My chest won’t really be ready for any gold medallions for at least six weeks, and I’m told the ticker, which enlarges to deal with the extra work-load from dysfunctional valves, may take a year to return to normal size. The upside is I have to take three months off work – doctor’s orders. Longest period without major work since I started in the biz in 1965. A chance to look around and see what others are doing. Which at the moment seems largely shouting at each other.

Thanks so much to all those who sent cards and left e-mail messages of encouragement. I’m sure you speeded up the recovery. Now, excuse me while I get back to doing nothing.

The Ticker Tapes

Monday, August 12th 2019

As you can see, I’m still very well, although my foot’s a bit swollen. It’s an odd feeling to be facing the most invasive operation of my life when the sun’s out and I’m looking forward to a glass of chilled white, but that’s the way it is at the moment. Having said that, I’m reminded that I’ve been for my last run for a while and climbing Everest is probably not a good idea until after they’ve done a puncture repair job on my mitral valve.

The North Korea Journal, my daily record of last year’s extraordinary trip to North Korea is being printed as I write and is set for publication on September 19th. That’s only a couple of weeks after I’ve been under the knife, which is why I had, very reluctantly, to cancel the North Korea Journal book tour in October. Many apologies to all who’d booked tickets. You’ll just have to go and see Mick Jagger instead.

1969 was quite a year. Not only did man walk on the Moon for the first time, but both the Clangers and Monty Python were born within a month of each other. And both are still employing me. I record the next batch of Clanger narrations later in the autumn, and, in the meantime, I’ve helped assemble some weird, wacky archive material for Python’s 50th birthday on Radio Four. Python as you’ve never heard it before.

I must obey doctor’s orders and give my repaired heart a month or two’s rest from work, but it won’t be easy for someone who gets twitchy taking a week off ! Watch out for Around The Sitting Room in Eighty Days or Boiled Eggs, an Illustrated History.

Enjoy what’s left of the summer once BA and Ryanair have been at it.

Bournemouth and Beyond

Tuesday, June 25th 2019

Things are supposed to quieten down as you get older, but from celebrations of 30 years of one of my oldest and most valued charities – the Association For Research into Stammering Children – to a visit to Oslo for gin and tonics in the wardroom of Gjoa, the first ship to navigate the North-West Passage by sea, to a last-minute stand-in appearance with Michael Caine on the One Show, to a less last-minute appearance before a sword-wielding Prince William at Buckingham Palace, my 77th year could not have begun more noisily.

Sir Michael Palin — The knight after…Making my way home from the Palace.

And it looks to be set at full volume, at least for the next few weeks, as I have another seven dates left on my Erebus /Python stage tour, and a few days of acting in July. As yet, I’m not allowed to say exactly what part, but I am growing a beard, so it’s not Joan of Arc.

I must give very big thanks to all the audiences on the tour so far. The response has been so warm and generous that it’s like spending an evening with old friends. Opening night of the 2019 tour was at the Pavilion in Bournemouth. Which was, by coincidence, highly appropriate for Python’s anniversary year. My first memories of Python filming were all around Bournemouth. The It’s’ man made his debut crawling out of the sea at Poole Harbour.

There’s a flavour of those heady days in the Python Years volume of my diaries.

Friday July 11th 1969, Bournemouth.

“Drive over to Shell Bay, beyond Poole, along a flag-lined route – the Queen is visiting Poole today. In the afternoon filmed some very bizarre pieces, including the death of Genghis Khan, and two men carrying a donkey past a Butlins redcoat, who later gets hit on the head with a raw chicken by a man from the previous sketch, who borrowed the chicken from a man in a suit of armour. All this we filmed in the 80° sunshine, with a small crowd of holiday- makers watching.”

It seems like only 50 years ago.

Getting On A Bit

Thursday, May 9th 2019

76 last Sunday. 76 sounds an awful lot, but the best way to deal with the march of time is to fall in step with it and stop trying to pretend you’re 18 again.

Ahh! 18! 1961. Roy Orbison ‘Crying’, ‘Green Onions’, Booker T and the MG’s, and Elvis, my hero, driven to record mediocre stuff like ‘Return To Sender’.

Actually, come to think of it, I’m happier in 2019. And busier.

Instead of cramming for exams I’m turning out to promote films like An Accidental Studio, the story of George Harrison’s Handmade Films (Life of Brian, Time Bandits, The Missionary, Mona Lisa, Withnail and I, A Private Function), Final Ascent, a stunning documentary about the charismatic climber Hamish MacInnes, whose life-story makes James Bond sound really dull, and the we-welease of Life Of Brian, which still looks and sounds fresh.

Nate Merritt, my official portraitist, has maybe exaggerated my free soloing skills, but sadly, he has got the age right!

My own most recent project, Erebus, The Story Of A Ship, comes out in paperback at the end of May, and I’m doing a stage tour round the UK in June.

Next week to Norway to give an Erebus talk at the Fram Museum in Oslo. It’s one of those places I’ve always wanted to see as it’s built around the great Norwegian polar explorers Nansen and Amundsen. And I’ll get to step on board Amundsen’s Gjoa, the little ship that finally cracked The North West Passage, fifty years after Sir John Franklin and 129 men died trying to find it.

A potentially very nice acting role in July, followed by a busy autumn – travel filming and the publication in September of North Korea Journal, my diaries of the recent visit to that enigmatic country. Then a nice lie-down and some sweeties. 18? Been there. Done that.